Michael Moore's Fahrenheit 9/11 is a brilliantly-conceived and even more brilliantly-executed piece of propaganda.

It makes for riveting viewing, whether or not you buy into Moore's politics, because it is such an unrelenting assault on the intellect as well as the senses.
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You could argue to doomsday whether Michael Moore's Fahrenheit 9/11 -- or any documentary -- should have won the Palme d'Or as best film at the Cannes Film Festival.

Some observers, especially in France, think the Cannes jury was making a purely political statement, not a cinematic one.
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