Some artsy films are better talked about than seen, like this one, The Goddess Of 1967, a Hong Kong-China-Australia co-production named after an automobile.

The film, which played in the 2000 film festival and opens here now as counter programming to the pre-summer flicks, is the stylish work of the Macau-born, Hong Kong-based filmmaker Clara Law (of Temptation Of A Monk and Floating Life fame).
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