With Hard Eight and Boogie Nights, writer/director Paul Thomas Anderson made an auspicious and promising debut.
Magnolia, his latest effort, is pretentious, loud, vulgar and, at 200 minutes, inexcusably self-indulgent.
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Emotional journeys in mystical Magnolia
Abandon all expectations, all ye who enter the emotional, dysfunctional, pathological, mystical, coincidental and ultimately wonderful world of Magnolia.
The only thing you can count on is this: You will either love this film to pieces or hate it to death.
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