In a Hollywood where directors like Michael Bay and Renny Harlin follow cookie-cutter templates with explosions and plastic love stories, it sometimes seems as if we're conditioned not to expect better.
Maybe it's because he releases movies only every three years or so, but Wes Anderson -- whose The Royal Tenenbaums opens this week --has so far resisted having his individuality assimilated. He is an odd character with a wonky, bittersweet and ultimately hopeful worldview. And it still shows.
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