Emotions and conflicts, whether they are personal or global, are presented in towering terms. Characters don't just fall in love, they seethe with passion and they embrace new or old ideologies with equal fervor.
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 That's not a sin. But Sunshine is undone by its length, its lack of economy, its maddening redundancy. Give a director like Istvan Szabo enough celluloid, he hangs himself with it.
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