By now, the name Working Title Films conjures up an image of an exact type of glib romantic comedy -- every bit as much as, say, Merchant Ivory suggests lush period pieces or Michael Bay suggests explosions.
What's changed from Four Weddings And A Funeral, Notting Hill and Bridget Jones's Diary is that Hugh Grant is no longer around to steal the heart of an American girl with a well-placed self-deprecating bon mot and an exact fall of an uncomb-able strand of hair.
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