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November 28, 1999
MIDNITE VULTURES
He wants to party 'cause it's 1999By DAVE VEITCH
MIDNITE VULTURES Beck (Interscope/Universal UMD 99241) Beck's status as one of the "important" artists of the 1990s will do his latest album no favours. The so-called official followup to 1997's Odelay, after all, doesn't set new standards, raises no bars and revolutionizes nothing. With Midnite Vultures, Beck is just trying to make a playful, superficial party-funk album and, on that level, he scores repeatedly, like a handsome millionaire in a brothel. These 12 new tunes are full of elastic grooves, surreal sex-obsessed lyrics and, interestingly, '80s-pop references twisted into '90s shapes. The influence of prime-period Prince snakes through most of the album, but is made explicit on the kinky soul slowie Debra, sung in a lascivious falsetto. Elsewhere he works in elements of early Depeche Mode electro-disco (Get Real Paid) and old-skool hip-hop (Hollywood Freaks, which niftily samples Tom Tom Club's Genius of Love). The strange sonic alchemy, however, remains unmistakably Beckian: How the horn-driven Memphis soul of first single Sexx Laws makes room for a banjo-pickin' hootenanny; or how Nicotine and Gravy keeps piling on disparate elements -- Philly soul strings, a Day in the Life orchestral crescendo, a snake-charmer coda -- until the song collapses under the weight of too many ideas. If Midnite Vultures has a weakness, this is it: Beck can be too clever for his own good, resulting in music that mainly stimulates the mind when he's obviously aiming a little lower. Track Listing
1. Sexxlaws
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