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June 30, 2006
THE COMPLETE REPRISE SESSIONS
Fine SessionsBy DARRYL STERDAN -- Winnipeg Sun
Gram Parsons The Complete Reprise Sessions (Rhino/Warner) Even the truth can be misleading. Take The Complete Reprise Sessions. The title of Rhino's mini-box devoted to country-rock pioneer Gram Parsons implies you're in for a fly-on-the-wall chronicle (think The Stooges' 1970: Complete Funhouse Sessions) or a career-spanning anthology (like Ray Charles' Pure Genius: Complete Atlantic Recordings). It's neither. Rather, this three-disc set primarily consists of Parsons' two '70s solo LPs, which came after the doomed maverick's short-lived but more influential gigs with The Byrds, Flying Burrito Brothers and Rolling Stones. Not that they aren't pretty swell LPs. His 1973 debut G.P. is a magnificent set of ragged honkytonk, heartbroken country and even funky R&B, played by Nashville studio rats and Elvis sidemen. More historically, it introduces Parsons' protege -- some young singer named Emmylou Harris, whose duets with Gram send a shiver down your neck and a tear down your cheek. Next up is 1974's Grievous Angel, cut weeks before Parsons ODed on morphine and tequila at 26. His downward spiral is somewhat reflected in the disc, which has more cover tunes and a less focused feel -- though you gotta love his weepy version of Love Hurts with Emmylou. The bonus tracks are another matter. The third disc has 15 alternate (but lesser) takes from all the sessions. Three other leftovers and a handful of radio appearances round out the set. Some of it is admittedly a treat -- love the live acoustic versions of Sin City and Love Hurts -- but none sheds much new light on Parsons' music or tragic life. Still, you can't quibble about the packaging, which includes mini-LP sleeves and an informative 52-page booklet. So even though Complete Reprise Sessions may not tell the whole truth, it does a fine job of preserving and presenting the final chapters in the tale of an immortal musical icon. Track Listing:
Disc 1:
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