Every movement has a mutant, however indiscernible. When "drum and bass" earned official status in the electronica subculture near the end of the last decade, Amon Tobin's menacing stylings were among the most memorable. Really scary sometimes, stuff to play with the lightbulbs on.
Things only got weirder on the ears for the sound sampler, here tonight at the Rev. His new one, Out From Out Where, lives up to its title, though rumours of its inaccessibility are highly overrated. It's unique and penetrates fast.
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