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December 1, 2000
SRV
By DARRYL STERDAN
SRV Stevie Ray Vaughan & Double Trouble (Epic Legacy / Sony) At first glance, the cover of SRV seems curious -- an extreme closeup not of Stevie Ray Vaughan's expressive face or hands but of his name, burned into the back of his favourite, weathered Stratocaster. Wade into this impressive four-CD box of hits, obscurities and unreleased tracks, however, and the analogous point of the pic is obvious: SRV wants to give us a view of Vaughan and his music we've never had -- an up-close and personal, behind-the-scenes look at one of the most revered blues guitarists of the late 20th century. Easier said than done. Since the Texas guitar slinger died in a post-gig helicopter crash in 1990, his reputation has spread like wildfire. His label Sony has been fanning that flame with a steady stream of posthumous releases -- live albums, early tracks, acoustic collections, remastered versions of his original albums. For the most part, the stuff has been decent. Still, lately we've had the sense the bottom of the barrel was within scraping distance. Turns out we were wrong. Like that of his inspiration and idol Jimi Hendrix, the wellspring of unreleased Vaughan material seems never-ending. At least, that's what SRV suggests. After all the reissues and bootlegs and compilations with extra songs, producers of this 54-track set still managed to find 36 top-notch unreleased or obscure cuts -- a full two-thirds of the box. There's even a DVD of outtakes from an Austin City Limits performance taped in Vaughan's final year. And for skeptics like us who ask how much more there could be to know about Stevie Ray, the answer seems to be plenty. Along with the usual pictures, recording details and glowing tributes in the 72-page book, you'll find in-depth biographies and technical articles that detail every aspect of Vaughan's life from the first blues record he bought to the pedals, strings and picks he used to create his sound. It was that inimitable sound -- those fat, bluesy Hendrix licks, those rubbery, sliding jazz chords, those sharp stabbing leads -- that took Vaughan from the Austin bar circuit to the stratosphere. SRV tells that tale in chronological order, starting with nearly a dozen superb rarities: Early Double Trouble cuts from club dates, soundchecks and radio broadcasts, and even a 1977 single of Thunderbird by Paul Ray & The Cobras, featuring the 23-year-old guitarist. If SRV stopped there, it would still be pretty damned cool. What's cooler is that it maintains this standard throughout the four-hour-long package. Only a handful of the previously released numbers are hits like Pride and Joy or House is Rockin'. The bulk consist of less-heard album cuts like Change It or Wall of Denial, along with some tunes even fans might not have -- Vaughan's sideman appearances on discs by other artists like Albert King, Johnny Copeland and Lonnie Mack. Among the unreleased tracks are plenty of must-have gems: masterful covers of Jimi's Voodoo Chile, Little Wing and Third Stone From the Sun live in 1984; a smokin' duel with his brother Jimmie Lee on the surf-rock classic Pipeline; acoustic versions of Testify and Dirty Pool. Nothing, however, is as historic, moving or downright spooky as the final three numbers, taped at Stevie Ray's penultimate gig less than 24 hours before his death. Featuring Vaughan at the height of his tremendous powers, this trio of songs paints a vivid final picture of an artist who made a mark on music as indelible as that signature he burned into his guitar. Track Listing
Disc1
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