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PARIS HILTON


Play Review: Julius Caesar

Female Caesar conquers
TORONTO -- When it comes to non-traditional casting, opera has led the way.

In a world where vocal presentation is ranked as important or more as physical characteristics, opera audiences long have been accustomed to bending the medium to fit the message. Like most cliches, that of the hefty middle-aged soprano playing a consumptive young maiden is rooted in fact.
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